special culture
Opting Out of Thanksgiving This Year: Here’s Why

I need to confess—a little secret that I can no longer keep hidden. I’m Indigenous and have always participated in Thanksgiving celebrations. There, I’ve said it! If you’re curious why this seems significant, understand that Indigenous people have a complicated connection with Thanksgiving. Why? It’s well-known that Native American people existed long before the arrival of European settlers in North America, and the so-called “peaceful” feast between the pilgrims and the Natives is one that has been heavily embellished. For many within the Indigenous community, the annual holiday is a painful reminder of how their land was taken away during colonization, how many of their ancestors were killed, and how their heritage was nearly eradicated. It’s understandable why Native individuals today are hesitant to share a meal and eat turkey: What is there to express gratitude for?

This year, however, I’ve decided not to express gratitude as well.

Growing up on Nipissing First Nation—my ancestral land in northern Ontario, Canada—my family always recognized Thanksgiving. My mother is one of 18 siblings, and our yearly ritual would involve gathering as a big, energetic, Ojibwe clan for a Thanksgiving meal at our grandmother Leda’s home, which acted as the assembly point for the entire eclectic mix. Due to the sheer number of people, I remember regularly eating Thanksgiving dinner on the floor, sitting cross-legged among my many cousins (seating at the table is reserved for the elders, obviously—they also got the first serving of food). On the menu would be all the customary Thanksgiving dishes: turkey, mashed potatoes, turnip, boiled carrots, massive pots of gravy. One year, my father even cooked a 40-pound turkey for the entire family, setting a record. But there would always be some Indigenous influence present, too: instead of dinner rolls, we had my Aunt Joanie’s legendary bannock. Moose meat pies were also always there, though I never indulged in that dish. (I’m a Native who doesn’t fancy wild meat—a transgression!).

Because Thanksgiving was something our family always observed, I never considered twice about how paradoxical it was: a gathering of Indigenous people essentially commemorating the history of their own hardships. Even more paradoxical: When I became older and moved to the U.S., my family, following the Canadian calendar and having celebrated Thanksgiving in October, frequently had to recreate it for me when I returned home in November. Even after learning about the problematic history of Thanksgiving, the celebration had become so ingrained in our family traditions that I didn’t question it. Even after my grandmother Leda passed, and our family ceased these colossal feasts—eventually, they became too difficult to organize—my parents, my sister, and I continued celebrating it. It turned into a norm, something we merely did. It was mostly centered on the food, because who doesn’t enjoy inducing a Tryptophan-induced nap? I still yearn for it at the thought.

This year, though, I am honoring the holiday differently. For one, my family is in Canada while I’m in New York, so celebrating with them would require a trip across the country. I’ve also come to realize that I actively don’t want to participate in Thanksgiving. I’ve spent too long being indifferent to things that don’t sit well with me.

Top 5 Unforgettable Highlights from SNL’s Golden Jubilee Episode

Desde que estaba en la escuela secundaria, he tenido la rutina de levantarme los domingos por la mañana para ver un episodio en streaming (o, hace años, en TiVo) del Saturday Night Live de anoche. Es un ritual en el que he llegado a confiar, incluso cuando el episodio en cuestión es un poco más suave en risas de lo que uno podría desear. Sin embargo, el episodio del 50º aniversario del programa nocturno de anoche cumplió casi en todos los aspectos; claro, hubo momentos ocasionalmente planos—por favor, Dios, que los chistes sobre el “verano de mocosos” se desvanezcan de manera elegante ahora que es oficialmente otoño—pero con las elecciones presidenciales de 2024 a solo semanas de distancia, es agradable ver las caras familiares del elenco de SNL y poder reír realmente un poco sobre el infernal panorama que es la política estadounidense actualmente.

A continuación, encuentra los 5 mejores momentos del primer episodio de la Temporada 50 de SNL:

Maya Rudolph retomando su papel como Kamala Harris

¿Sienten un poco gastados los chistes sobre cocoteros a estas alturas? Sí. Pero, siendo honesto, Maya Rudolph podría entrar recitando un chiste de SNL de la era de los ‘90 como “Schweddy Balls” y aún así estaría emocionado de verla. Además, Jim Gaffigan como el compañero de fórmula de Harris, Tim Walz, fue extrañamente perfecto, al igual que la interpretación de Bowen Yang como J.D. Vance; Doug Emhoff de Andy Samberg no fue tan preciso, pero nuevamente, Andy Samberg haciendo cualquier cosa es intrínsecamente divertido para mí, así que puedo perdonarlo.

Monólogo de apertura de Jean Smart

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Unveiling the True Prize Behind Celebrity Doppelgänger Competitions

Do you happen to resemble a celebrity? Are you interested in receiving $50, 50 British pounds, or 50 euros? Naturally, you would. Just before Halloween, a multitude of Wonkas appeared at Washington Square Park for a Timothée Chalamet impersonator contest that concluded with a surprise appearance by Timothée himself (Kylie was absent) and handcuffs as one impersonator was apprehended. Since then, a worldwide spree of look-alike challenges has emerged, bringing together groups of individuals with faint likenesses to our beloved public figures in parks globally.

London’s Harry Styles gathering featured a dozen dandy men donning feather boas, Gucci flared trousers, and shaggy haircuts competing for the reward. (The least resembling Harry carried a bag of sugar and a watermelon.) A startling—and somewhat suggestive—mix of hefty thighs, earbuds, and everyday individuals entered the Paul Mescal look-alike competition in Dublin. The Mescal victor remarked, “There’s a Paul Mescal in all of us,” which is supposedly the precursor to the gladiator fleeing from you in the park. Indeed, (a man slightly resembling a) chef: A blatant Jeremy Allen White doppelgänger clinched the victory without disrobing to his Calvins. Bushwick’s Zayn Malik candidates were merely satisfactory, and the Dev Patel contest in San Francisco was notably lacking in truly uncanny millionaire imitators.

The imitation trend seems like a harmless amusement—a local excitement that hurts no one, an overflow of lightheartedness. However, I can’t shake the feeling that, culturally, everything is a repeat. We are bombarded with replicas—recognizable plots and themes that reiterate the known instead of dramatically reshaping our perception. No disrespect to Timmy, but Dune is a reboot, and Mescal’s Gladiator is a revisitation. I thoroughly enjoyed Wicked, yet part of its comfort stemmed from its familiarity, the absence of shocks, the cozy predictability of knowing the direction. I believe we all, in some sense, wish the world mirrored the world we recognize. The global atmosphere is teeming with grim new updates and unexpected political developments; each day we navigate through countless real-world surprises. When seeking refuge, there’s comfort in a cinematic musical resembling a Broadway hit, an arena filled with classic warriors, a Harry Styles metaphor. We already know the victors and the vanquished; the result isn’t startling enough to keep us up all night.

As the strongly brewed essence of the Timothée contest diminishes with each new celebrity dip, I’m uncertain about the future. A Troye Sivan twink competition? An Elon Musk expedition? (I’d insert a quip here, but I’d rather not risk being ousted from X…yet.) I would genuinely relish seeing a park packed with women emulating the Oompa-Loompa from the “Willy’s Chocolate Experience” in Glasgow. Up next is tomorrow’s Zenday-a-like event. I am eager to witness who dares to believe they resemble arguably the most stunning woman alive. All I can express is: Best of luck, darlings.

Gen Z Vogue Editors Experience Miami’s Eras Tour: Friendship Bracelets, Birthday Cupcakes, and ‘Champagne Problems’ Celebration

It finally occurred: Our Gen-z column received praise as a masterclass in journalism, and we received an invitation to cover the Eras tour. (Sent by Taylor Swift herself? Unfortunately, no…but we sidetrack.)

We sincerely hope that you derive as much enjoyment from reading this as we did from being present at the show—although, let’s be honest, the Eras tour is a rare gem and we write this column quite frequently. But enough with the introduction: Here’s our complete narrative of Eras Night 2 in Miami. (And Taylor, if you happen to be reading this: Hello, we adore you!)

4:30 p.m.

Irene Kim: We are currently in our pre-arranged Uber Shuttle headed for Hard Rock Stadium from Fontainebleau Miami Beach, where The Eras tour shuttles are being coordinated. As a frequent visitor to Miami (I’ve been here two times this year), the usually 30-minute drive is converted into a one-hour journey.

Florence O’Connor: It’s common knowledge that the most bothersome part of attending a concert is the transportation to and fro; Uber Shuttle truly proves to be a lifesaver. Let me tell you, there’s nothing quite like being on a bus brimming with Swifties to heighten your excitement for a Taylor Swift concert. We belt out “Lover” as we adorn each other’s faces with gems and share friendship bracelets. Honestly, the camaraderie on this shuttle could facilitate peace.

Florence adorning Irene with face gems.

Kim: I’m unable to actually affix the gems on myself, but Florence—who was head cheerleader back in high school—has an exceptional knack for it. It’s all very girlhood, and definitely gives me the feeling that we’re prepping for a football match together.

6:00 p.m.

O’Connor: Turns out it’s not large crowds I’m scared of…it’s just men that intimidate me.

Kim: Everyone here is incredibly friendly. This is exactly why the online world suggests that Swifties could bring America together, as there’s not a single confrontation happening in the lines for restrooms or dining. We’re also observing kids beneath us swapping friendship bracelets, making me desire to participate in the exchange. I gather enough courage to engage with the pre-teens in the suite adjacent to ours.

We were motivated to acquire flash tattoos after Taylor herself flaunted flash freckles at a Kansas City Chiefs event.

“Rosé Aims to Steal the Spotlight as Your Ultimate Star”

The excitement for Rosie, vocalist Rosé’s initial studio album, is through the roof following her debut single “Apt.,” featuring Bruno Mars, which positioned her as the first female Korean performer to secure the leading spot on Spotify’s U.S. chart. Presently, as a pre-Thanksgiving gift for her American audience, Rosé has unveiled a second track, named “number one girl,” prior to the album’s release on December 6.

While “Apt.” delivered sheer pop-punk joy, this recent melody returns to Rosé’s origins, echoing a similar vibe to her 2021 hit “Gone.” It’s notably raw, with the 27-year-old vocalizing lines such as: “Isn’t it lonely I’d do anything to make you want me? I’d give it all up if you told me that I’d be the number one girl in your eyes.”

Rosé in a fresh promotional picture for “number one girl.”

Photo: Kenneth Cappello

The melancholic atmosphere of the song’s music clip, directed by Rosé herself, complements its narrative’s intimacy impeccably: Within the video, we witness the singer moving through Seoul at twilight, passing locations such as the Jamsugyo Bridge (background for Louis Vuitton’s pre-fall 2023 showcase) while serenading her unspecified love interest: “Tell me I’m a little angel, sweetheart of your city, say what I’m dying to hear ’cause I’m dying to hear you.”

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