special culture
Why I’m Not Celebrating Thanksgiving This Year

I have a confession to make—a dirty little secret that I can no longer keep a secret. I’m Indigenous and I’ve always celebrated Thanksgiving. There, I said it! If you’re wondering why this is such a big deal, know that Indigenous people have a very fraught relationship with Thanksgiving. Why? It’s no secret that Native American people long predated European settlers in North America, and the so-called “peaceful” dinner between the pilgrims and the Natives is one that has been greatly exaggerated. For many in the Indigenous community, the annual holiday actually serves as a harmful reminder of how their land was stolen from them during colonization, how many of their people were killed, and how their culture was almost entirely stripped from them. One can understand why Native people today don’t want to break bread and eat turkey: What, in fact, is there to be thankful for?

This year, however, I’m finally choosing not to be thankful, too.

Growing up on Nipissing First Nation—my traditional territory in northern Ontario, Canada—my family always celebrated Thanksgiving. My mom is one of 18 siblings, and our annual tradition would be to gather as a big, crazy, Ojibwe family for a Thanksgiving meal at our grandmother Leda’s house, which served as the meeting spot for the whole motley crew. Given the sheer volume of people, I remember often eating Thanksgiving dinner on the ground, sitting cross-legged among my many cousins (seats at the table are reserved for the elders, obviously—they also got first pass at the food). On the menu would be all the traditional Thanksgiving dishes: turkey, mashed potatoes, turnip, boiled carrots, huge pots of gravy. One year, my dad even cooked a 40-pound turkey for the entire family, a record. But there would always be some Indigenous flavor on tap, too: instead of dinner rolls, we had my auntie Joanie’s epic bannock. Moose meat pies were also omnipresent, though I never partook in that dish. (I’m a Native who doesn’t enjoy wild meat—a sin!).

Because Thanksgiving was something that our family always registered, I never thought twice about how ironic it was: a bunch of Indigenous people basically celebrating the history of their own suffering. Doubly ironic: When I grew older and moved to the U.S., my family, who followed the Canadian calendar and had celebrated the Thanksgiving in October, often had to re-do it for me when I came home in November. When I finally learned about the problematic history of Thanksgiving, the holiday had become so routine in our family that I didn’t bother to question it. Even after my grandmother Leda passed on, and our family stopped having these gigantic feasts—at some point, they just became impossible to organize—my parents, my sister, and I still continued celebrating it. It became a pattern, something we just did. It was mostly always about the food, because who doesn’t want to induce a Tryptophan coma? I still drool at the thought.

This year, however, I am approaching the holiday differently. For one, my family is in Canada while I’m in New York, so celebrating it with them would mean flying across the country. I have also realized that I actively don’t want to celebrate Thanksgiving. I’ve spent far too long being passive about things that I don’t feel right about.

The 5 Best Moments from Saturday Night Live’s 50th Anniversary Episode

I’ve been waking up on Sunday morning to watch a streaming (or, back in the day, TiVoed) episode of last night’s Saturday Night Live since I was in middle school. It’s a ritual I’ve come to depend on, even when the episode in question is a little lighter on laughs than one might hope for. Last night’s 50th-anniversary episode of the late-night show, though, delivered on almost all fronts; sure, there were occasional flat moments–please, God, let “brat summer” jokes fade gracefully away now that it’s officially fall–but with the 2024 presidential election just weeks away, it’s nice to see the SNL cast’s familiar faces and actually be able to laugh a bit about the hellscape that is American politics right now.

Below, find the 5 best moments from the first episode of SNL Season 50:

Maya Rudolph reprising her role as Kamala Harris

Do coconut-tree jokes feel a little stale at this point? Yes. But honestly, Maya Rudolph could roll in reciting a ‘90s-era SNL punchline like “Schweddy Balls” and I’d still be thrilled to see her. Plus, Jim Gaffigan as Harris’s running mate Tim Walz was weirdly perfect, as was Bowen Yang’s take on J.D. Vance; Andy Samberg’s Doug Emhoff wasn’t quite as dead-on, but again, Andy Samberg doing anything is inherently funny to me, so I can forgive it.

Jean Smart’s opening monologue

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The Real Reward of All These Celebrity Look-Alike Contests

Do you look like someone famous? Would you like $50 or 50 British pounds or 50 euros? Of course you would. Just before Halloween, a zillion Wonkas descended on Washington Square Park for a Timothée Chalamet look-alike contest that ended with a cameo from Timothée himself (Kylie was a no-show) and handcuffs as one look-alike was taken into custody. Ever since, a pandemic of look-alike competitions has swept the globe, prompting clusters of men with the vaguest resemblances to our favorite celebrities to gather in parks all over.

London’s Harry Styles event saw 12 foppish men in feather boas, Gucci flares, and floppy haircuts vying for the prize. (The least Harry-alike carried a sack of sugar and a watermelon.) An alarming—and not altogether unhorny—tossed salad of thick thighs, earbuds, and normal people entered the Paul Mescal look-alike contest in Dublin. The Mescal winner said, “There’s a Paul Mescal in all of us,” which is allegedly what happens right before the gladiator runs away from you in the park. Yes, (man that looks a teensy bit like a) chef: A shameless Jeremy Allen White White doppelgänger took the prize without stripping to his Calvins. Bushwick’s Zayn Malik entries were only okay, and the Dev Patel competition in San Francisco was embarrassingly low on uncanny millionaire slumdogs.

The look-alike thing feels like an inoffensive trend—a local frenzy that harms nobody, a deluge of unseriousness. But I can’t help thinking that, culturally, everything is a remake. We’re inundated with remakes—recognizable storylines and premises that repeat the familiar rather than juddering-ly rearrange our worldview. No offense to Timmy, but Dune is a remake, and Mescal’s Gladiator is a revisit. I had a fantastic time at Wicked, but part of its soothing nature was the familiarity, the lack of surprises, the warm bath of knowing where something is going. And I think, in some way, we all want the world to look like the world we already know. The global stage is chockablock with harrowing new news and curveball political surprises; every day we scroll through a million real-life jump scares. When searching for reprieve, there’s sanctuary in a movie musical that looks like a Broadway smash, a Colosseum full of vintage brutes, a Harry Styles simile. We already know the winners and losers; the outcome can’t be enough of a shock to keep us awake all night.

As the potent tea bag of the Timothée comp gets progressively weaker with each new celebrity dunk, I don’t know what happens next. A Troye Sivan twink-off? An Elon Musk installment? (I’d do a joke here, but I don’t want to get kicked off X…yet.) I would honestly love to see a park full of women who look like the Oompa-Loompa from that “Willy’s Chocolate Experience” in Glasgow. Next on the slate is tomorrow’s Zenday-a-like. I can’t wait to see who thinks they look like arguably the hottest woman on the planet. All I can say is: Good luck, babes.

Friendship Bracelets, Birthday Cupcakes, and Getting Champagne Drunk During ‘Champagne Problems’: Two Gen Z Vogue Editors Go to the Eras Tour in Miami

It finally happened: Our Gen-z column was recognized for the masterclass in journalism that it is, and we were invited to report on the Eras tour. (By Taylor Swift herself? No…but we digress.)

We hope that you have as much fun reading this as we did attending the concert—although, let’s be real, Eras is a once-in-a-lifetime experience and we do this column fairly regularly. But enough with the preamble: Here’s our full account of Eras Night 2 in Miami. (Also, Taylor, if you are reading this: Hi, we love you!)

4:30 p.m.

Irene Kim: We’re in our pre-booked Uber Shuttle to Hard Rock Stadium from the Fontainebleau Miami Beach, where the shuttles for The Eras tour are being organized. Speaking as a Miami regular (I’ve been here twice this year), the usual 30-minute car ride is now an hour long.

Florence O’Connor: Everyone knows the worst part of going to a concert is the transportation there and back; Uber Shuttle is really out here saving lives. And let me tell you there’s nothing like being on a bus full of Swifties to get you even more excited for a Taylor Swift concert. We scream “Lover” while we stick gems on each other’s faces and trade friendship bracelets. Truly, the comradery on this shuttle could end wars.

Florence putting face gems on Irene.

Kim: I can’t actually stick the gems on myself, but Florence—who was cheer captain in high school—is REALLY good at doing it. It’s all very girlhood, and definitely has me feeling like we’re getting ready for a football game together.

6:00 p.m.

O’Connor: Turns out I’m not afraid of crowds…I’m just afraid of men.

Kim: Everyone here is so nice. This is why the internet is always saying that the Swifties could unite America, because there is not a single fight breaking out on line for the bathroom or for food. We’re also witnessing the kids below us trading friendship bracelets, which makes me want to get in on the action. I muster the courage to talk to the pre-teens in the suite next to us.

We were inspired to get flash tattoos after Taylor herself sported flash freckles at a Kansas City Chiefs game.

Rosé Wants to Be Your “Number One Girl”

Anticipation for Rosie, singer Rosé’s debut studio album, is sky-high after her first single “Apt.,” featuring Bruno Mars, made her the first female Korean artist to claim the top spot on Spotify’s U.S. chart. Now, as a pre-Thanksgiving treat for her American fans, Rosé has released a second single, titled “number one girl,” ahead of the album’s launch on December 6.

If “Apt.” served up pure pop-punk delight, this latest track goes back to Rosé’s roots, striking a similar tone to her 2021 single “Gone.” And it’s notably vulnerable, with the 27-year-old crooning lines like: “Isn’t it lonely I’d do anything to make you want me? I’d give it all up if you told me that I’d be the number one girl in your eyes.”

Rosé in a new promotional photo for “number one girl.”

Photo: Kenneth Cappello

The moodiness of the song’s music video, directed by Rosé herself, matches the intimacy of its storytelling perfectly: In it, we see the singer running around Seoul at dusk, passing sites like the Jamsugyo Bridge (the backdrop to Louis Vuitton’s pre-fall 2023 show) as she serenades her namesless lover: “Tell me I’m a little angel, sweetheart of your city, say what I’m dying to hear ’cause I’m dying to hear you.”

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