Before the debut of Babygirl this Christmas Day, Dickinson visited The Run-Through with Vogue to have a discussion with Chloe Malle and me regarding his feline companion, George Michael’s “Father Figure,” attire for red carpet events, and the ragù he is eager to prepare this season. Peruse parts of our chat below.
Viva la Paris! Emily’s Next Chapter Sets Stage for Season 5 Production
In contrast, subsequent reports indicated that the fifth installment hadn’t truly received the go-ahead, as the auction page had been revised to state that the successful bidder would “gain the opportunity to spend a day on the Paris set during shooting, dependent upon the renewal of the fifth season.” Now that we eventually received the formal announcement, enthusiasts can exhale in relief.
Diving Deep: A Fan’s Enthusiastic Analysis of the ‘Wicked’ Movie Soundtrack
Starting from the beginning: “No One Mourns the Wicked” might possess one of the most legendary initial chord progressions in the realm of musical theater. Nonetheless, in Jon M. Chu’s movie, the introduction that enthusiasts are so familiar with is momentarily disrupted with—if you’re observant enough to notice them—the tunes of “Ding-Dong! The Witch Is Dead” from The Wizard of Oz. And that’s merely one of Wicked’s numerous clever references to that 1939 film, featuring Judy Garland.
Indulge in Rivals: A Hedonistic Escape
Nominalement, l’histoire concerne deux adversaires. D’un côté se trouve le petit bourgeois devenu artiste par mariage, Lord Tony Baddingham (un David Tennant délicieusement grincheux), dont la nature méprisable est bien en accord avec son nom à la Dickens. Il grimpe les échelons du pouvoir et du prestige en tant que directeur général d’une chaîne de télévision commerciale. De l’autre côté, il y a le séduisant, titré et insatiable Rupert Campbell-Black (Alex Hassell), un ancien cavalier olympique devenu ministre des Sports sous Thatcher, qui, avec Declan O’Hara (Aidan Turner), un journaliste de diffusion irlandais fougueux attiré de la BBC vers la campagne, forme une chaîne concurrente.
Timothée Chalamet Transforms Into Bob Dylan in “A Complete Unknown”
In 1961, we initially encounter the cantankerous and introverted young Dylan, portrayed by Chalamet, as he is crammed into the backseat of a vehicle speeding towards Manhattan at the age of 19. He has departed from his midwestern birthplace on a mission: His hero, the trailblazing folk musician Woody Guthrie (Scoot McNairy), is recuperating in a psychiatric facility located in nearby New Jersey, and Dylan is resolute in his desire to meet him. Soon, he achieves this goal, serenading Guthrie with a straightforward melody on his guitar—the moving “Song to Woody,” which would later be included on Dylan’s self-titled debut album within a year’s time—and capturing the admiration of Guthrie, alongside his visiting acquaintance and fellow luminary, Pete Seeger (Edward Norton).