special culture
Finding Pride and Joy in Chappell Roan’s Instagram Comments

Deciding the most suitable way for any queer individual to honor Pride can be challenging, something I’m experiencing anew at the age of 30-soon-to-be-31 (which, admittedly, is Not Old by any means, yet it still leaves me feeling like an older person each time I visit the Woods on a Wednesday evening and everyone appears youthful and fresh-faced enough to be my offspring). Gay venues remain a favored option, but predictably, they become congested and stifling each June. As for marches? Apologies, but I possess more than enough promotional bank T-shirts.

During my mission this month to discover novel spaces to connect with my queer identity without becoming a) perspired, b) overwhelmed, or c) unattractively inebriated, I’ve stumbled upon a Pride haven in an unexpected corner: the Instagram comments of one Ms. Chappell Roan, also known as the Femininomenon herself, whose provocative lyrics and recent evolution into a chaps-wearing Statue of Liberty—not to mention her bold decision to decline performing at the White House—have solidified her status as an LGBTQ+ icon for our era.

For those who are queer, trans, or gender-nonconforming, Instagram comment realms can resemble chaotic wastelands, but Roan’s are warm, rainbow-infused, celebrity-packed hubs, featuring everyone from Ariana Grande to Rina Sawayama to indie brand Fashion Brand Company stepping in to showcase their admiration. (Moreover, Roan recently earned a follow from none other than the club-banger queen Carly Rae Jepsen…possibly a collaboration soon, royalty?) Observe the magic unfold below:

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Timothée Chalamet Transforms Into Bob Dylan in “A Complete Unknown”

In 1961, we initially encounter the cantankerous and introverted young Dylan, portrayed by Chalamet, as he is crammed into the backseat of a vehicle speeding towards Manhattan at the age of 19. He has departed from his midwestern birthplace on a mission: His hero, the trailblazing folk musician Woody Guthrie (Scoot McNairy), is recuperating in a psychiatric facility located in nearby New Jersey, and Dylan is resolute in his desire to meet him. Soon, he achieves this goal, serenading Guthrie with a straightforward melody on his guitar—the moving “Song to Woody,” which would later be included on Dylan’s self-titled debut album within a year’s time—and capturing the admiration of Guthrie, alongside his visiting acquaintance and fellow luminary, Pete Seeger (Edward Norton).

“Anastasia Samoylova’s Captivating Lens: Unveiling Florida’s Essence at The Met”

Reflecting on her formative years in a quaint, farming community located in the southern region of Russia, Anastasia Samoylova is irresistibly drawn back to the vibrant imagery that played a crucial role in her early life: prominent propaganda billboards, vividly hued advertisements, and the classic red-and-gold theme of the Russian Orthodox church.

“The world has always been interpreted through an intensely visual framework for me,” comments Samoylova. “Even long before gaining literacy, my mind constantly sought patterns among shades and aimed to grasp the significance of images.”

Now in her grown-up life, the emerging modern artist has forged a flourishing vocation in the realm of observational photography, leveraging her knack for pinpointing captivating color arrangements in scenes that would typically go unnoticed. Similar to renowned documentary photographers like Walker Evans and Berenice Abbott, some of Samoylova’s most acclaimed pictures result from her road adventures—specifically, those throughout Florida, where she has resided since 2016.

In her intriguing and frequently multifaceted works, Samoylova addresses urgent topics such as environmental conservation, urban redevelopment, and fervent political movements. In Gatorama (2020), for example, she masterfully depicts an alligator soaking in an old, rusty swimming pool set against a vibrant bubble-gum pink background. Lost Wig (2017) showcases a Medusa-resembling hairstyle left tangled atop someone’s shadow. Meanwhile, Gun Shop, Port Orange (2019) directs the observer’s gaze to a mint-green building in Florida, its merry exterior marked with the silhouettes of firearms.

Anastasia Samoylova, Lost Wig, 2017. Inkjet print. 16 × 20 in. (40.6 × 50.8 cm). The Metropolitan Museum of Art, New York, Purchase, Diana Barrett and Bob Vila Gift, 2024 (2024.322).

© Anastasia Samoylova

Roaring into Action: Lioness Season 2 Premieres with a Bang

It was the most memorable critical reversal I have encountered recently. Mike Hale, a television critic at The New York Times (whose preferences I greatly respect), initially criticized Special Ops: Lioness upon its premiere in July 2023. He wasn’t the only one. Critics were harsh on this counterterrorism action program on Paramount+. The series features Zoe Saldaña as a CIA agent named Joe, who mentors female assassins—including a formidable marine named Cruz, portrayed impressively by the relatively lesser-known Laysla De Oliveira.

Lioness was an apparent target. Its originator and author, Taylor Sheridan, is the mastermind behind Yellowstone, a dominating Western on television, along with several other shows that serve as nostalgic military-focused entertainments (such as Mayor of Kingstown, 1883, 1923, and Lawmen: Bass Reeves). Lioness echoed typical Sheridan elements. Robust armed men, intense firefights, and serious debriefings. The number of women in Lioness might have been noteworthy—but so too was the danger they encountered and the violent fatalities they were subjected to. Critics like Hale were provided with only one episode beforehand—and it happened to be a harsh one. The evaluations, including Hale’s, carried a hint of disdain. Sheridan’s inaugural female-focused series appeared somewhat… exploitative?

Gen Z Vogue Editors Dive Into Gracie Abrams’s Album: Unveiling “The Secret of Us”

La segunda producción discográfica de estudio de la cantautora Gracie Abrams, The Secret of Us, ha sido lanzada, y dos editoras de Vogue que coincidieron en un vuelo de Air France registraron sus impresiones del álbum en tiempo real. ¿La conclusión? Adoran a los hijos de famosos e, igual que otros de la Generación Z, se identifican con la mayoría de las letras de Abrams sobre el amor y la amistad.

[Nota de la editora: Para asegurarse de disfrutar al máximo de la experiencia auditiva, ambas esperaron hasta llegar a sus habitaciones de hotel para escuchar la colaboración con Taylor Swift.]

“Close to You”

Irene Kim: Los admiradores de Gracie han estado esperando tanto por esta canción, y definitivamente valió la pena.

Florence O’Connor: Salió la canción e inmediatamente supe todas las palabras. ¡No sabía que ya me las sabía!

Kim: Esta pieza es algo que solo una adolescente podría haber compuesto, en ese instante y lugar.

O’Connor: “Quiero estar cerca de ti” era cómo me sentía contigo, Irene, antes de trabajar en Vogue. Quería estar cerca de la chica cool de mi misma edad en Vogue Runway. (Soy conocida por ser una gran acechadora en Instagram, e Irene es conocida por ser muy reservada en Instagram.)

Euphoria Season 3: Production Commences Amidst Excitement

Given that her role was mostly diminished from a central figure to a secondary role in Season 2, it wasn’t a total shock. During the Armchair Expert podcast in 2023, Ferreira shared: “I don’t believe there was a direction for [Kat] to evolve. I think there were potential directions she could have explored. I just don’t think it would have blended well with the show. I’m unsure if it would have done her justice, and I think both sides recognized that. I truly wanted to move away from being portrayed as the fat best friend. I don’t wish to portray that, and I believe they didn’t either. I feel like with Season 2 and specific aspects of it… I felt it was sort of a challenge for both parties. Sam, me… it was tough to find her continuation. So observing it and witnessing the fans’ disappointment was genuinely painful. I just sensed maybe I had overstayed my welcome slightly? Thus, for me, it genuinely felt a relief to be like, Okay, I get to not stress over this and we both don’t have to stress about this, because it’s tiring. Sam writes for experiences he connects with. I don’t believe he connects with Kat.”

Theatrical Luminaries Shine on the 2024 Met Gala Carpet
Revelations I Wish I Had Before Casting My First Ballot

La primera vez que podría haber votado, no lo hice. Tenía 18 años en 2004. Era un novato. No miraba las noticias. Probablemente estaba en una fiesta o viendo un pretencioso VHS o besando a alguien con zapatillas Vans. Era difícil percibir la elección—entre un hombre blanco de traje que había iniciado una guerra interminable y otro hombre blanco de traje cuyas políticas parecían solo un poco menos problemáticas—como algo personal. No podría haber estado más equivocado.

Todos poseemos el tema que nos lleva a actuar, ese que nos afecta lo suficiente como para inspirarnos a participar políticamente. Para algunos, es el cambio climático destruyendo sus hogares; para otros, su experiencia con los préstamos estudiantiles. Para mí, fue cuando mi cuerpo empezó a fallarme, un desarrollo que finalmente me permitió entender cuán interconectada está cada crisis que enfrenta nuestra nación. Nuestro sistema de salud es el lugar donde se encuentran todos los tipos de injusticia. Pero, como muchas cosas en la vida, tuve que verlo para creerlo, para comprender lo que las feministas de la segunda ola querían decir al gritar: “Lo personal es político”.

No es un secreto que he sido un viajero cansado a través del complicado mundo médico-industrial. He escrito extensamente para esta revista sobre mi historia con la endometriosis y el dolor crónico, las vueltas sin fin que di solo para obtener respuestas, las visitas a la sala de emergencias por todo el país cuando los síntomas estaban fuera de control (a menudo he bromeado que podría escribir un libro titulado Un Médico en Cada Puerto), y la histerectomía radical que finalmente fue necesaria. Lo que he escrito menos es sobre los hombres—tantos hombres—que conocí en ese recorrido. (Aunque aproximadamente el 85% de los ginecólogos en ejercicio son mujeres, el 62% de los médicos en ejercicio son hombres, y representan alrededor de dos tercios del campo médico de emergencia.) Algunos eran doctores establecidos, otros eran internos, algunos anestesiólogos. Había quienes me enviaron a casa sangrando demasiado, explicándome mi periodo como si estuviera en una clase de salud de quinto grado. Había quienes me miraban con escepticismo cuando calificaba mis calambres como un 10 en la escala del dolor. Había quienes con descuido metían la mano dentro de mí como si yo fuera un coche con un motor averiado y no una mujer humana sufriendo ante la intrusión descuidada.

Después de mi primera cirugía para la endometriosis, me ubicaron en el departamento de urología de un prestigiado hospital de Nueva York. Las habitaciones eran mucho más agradables, explicó mi doctor (fuera de la red, cabe mencionar, y encontrado después de buscar por todos lados y por fin consultar con la Endometriosis Foundation of America). Un hombre adinerado con cáncer de próstata hizo una generosa donación que permitía la presencia de paneles de madera y televisores de pantalla plana en lugar de las paredes amarillentas y descascaradas y los televisores diminutos con tres canales en obstetricia y ginecología. Me dijeron que debía caminar todos los días después de la cirugía, ocho veces por el pasillo. Llevaba mi bolsa de IV al lado de hombres llamados Frank y Bob, quienes hablaban tranquilamente sobre deportes mientras las enfermeras los guiaban. Pensé en las mujeres de arriba, esperando a que les cambiasen la cuña, preguntándose quién se había olvidado de ellas. Pensé en las mujeres en hospitales estatales y prisiones que verían la descuidada ala de obstetricia como un increíble ascenso. Pensé en las mujeres esperando fuera de las salas de emergencia de todo el país, demasiado asustadas para ingresar y enfrentar el costo. Pensé en las mujeres que ni siquiera considerarían aparcar fuera.

How An Imitation Sweatsuit on ‘Call Her Daddy’ Kicked Off Kamala Harris’s 48-Hour Press Tour Style

In spite of the ruthless elimination of a father of two in Manhattan, it has been an unexpectedly and intensely sensual few days on the feeds. To recap: The previous week, UnitedHealthcare CEO Brian Thompson was shot outside the Hilton hotel in Midtown. Bullet shells left behind inscribed with deny, defend, and depose allude to the strategies insurers employ to avoid paying claims. Following a five-day hunt around the tristate region (alongside at least one misguided lookalike contest), the accused shooter, young Luigi Mangione at age 26, was found dining at an Altoona McDonald’s, with the online community immediately diving into backstory investigation, eyebrow analysis, and unabashed excitement.

I’m quite certain none of us support assassination. Let me clarify in writing, for while perusing the proclamations of mug-shot attraction, one might be misled into thinking public murder pales in comparison to a prominent jawline. Yet numerous elements intersect in this narrative—a deadly shooting, the flawed health care system, the radical awakening of a privileged young individual, the internet in investigation mode, and sheer physical allure—making it challenging to completely untangle the threads.

An Ivy League alumnus, Mangione’s manifesto, discovered on him at the fast-food eatery, empathetically criticizes the oversized and avaricious nature of the American health care apparatus. (It is reported he lost family members to illness in recent times, with speculation on the ongoing impacts of previous lower-back surgery.) His (self-imposed) mission seemingly was to seek justice for the countless disillusioned Americans suffering under soaring medical costs. Well before Mangione’s identity was revealed, the news of Thompson’s demise spread online with a flood of mocking laughter emojis. (I ponder if these individuals perceive the demise of a leader as a sign of the system’s eventual collapse?) Yet broadly, people related to Mangione’s viewpoint…coinciding with the moment they realized his attractiveness.

Thus arose the well-known hot-felon storyline—Mangione as a desirable vigilante, an ultimate ideologue—alongside tweets so explicitly lustful they’re unrepeatable. The timeline dramatically shifted from Wicked to Luigi. His Italian heritage. His charisma. Is he straight? Is he bisexual? Does he qualify as an incel? Has Ryan Murphy acquired the story rights? Are tables turning for Dave Franco? Mangione’s visuals dominated. Without a shirt and appearing blue. Clad in a tank top and enjoying a Happy Meal. Dressed in an orange prison uniform and appearing contemplative. I’ve witnessed his profile view as police escorted him to court. I’ve seen his valedictorian speech. For some inexplicable reason, I’m aware he awarded The Lorax five stars on Goodreads.