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Archives 2024

Two Vogue Writers Debate the Merits—And the Motivations—of Charli XCX and Lorde’s “Girl, So Confusing” Remix

When Charli XCX dropped her sixth studio album, Brat, on June 7, the internet was immediately set ablaze. While plenty of songs prompted discourse—“360,” with its flock of It girls; “I think about it all the time,” with its reflections on the weirdness of having friends with kids—“Girl, so confusing” started a different sort of conversation, thanks to Charli’s allusions to a famous frenemy with “the same hair” as hers. It took all of five seconds for sleuths to deduce that the subject of the song was Lorde—though that conclusion was somewhat complicated by the fact that Lorde had quickly taken to Instagram to sing Brat’s praises.

More bewildering still, Lorde actually responded to the song. Last night, the two artists dropped their first-ever collaboration, “The girl, so confusing version with lorde” remix, produced by A.G. Cook. Instead of a cheeky, throwaway verse, Lorde met Charli’s stated insecurities about their relationship (“We talk about making music / But I don’t know if it’s honest / Can’t tell if you wanna see me / Falling over and failing”) with searing honesty of her own. “You’d always say, ‘Let’s go out’ / But then I’d cancel last minute / I was so lost in my head / And scared to be in your pictures,” Lorde sings. “’Cause for the last couple years / I’ve been at war with my body / I tried to starve myself thinner / And then I gained all the weight back / I was trapped in the hatred / And your life seemed so awesome / I never thought for a second / My voice was in your head.”

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Allie X and Empress Of on Fandom, Friendship, and Joining Forces for Their New Single “Galina”

Allie X and Empress Of are having two very different Mondays. Connecting over Zoom from rural Canada, Allie, real name Alexandra Hughes—who now lives in Los Angeles, but is back in her native country for a summer vacation—sits on a sun lounger with the bucolic splendor of a forest-edged lake behind her. Lorely Rodriguez, meanwhile—the Los Angeles native behind Empress Of—is in London, where it’s 10 p.m. on a bank holiday weekend, and she’s returned to the apartment she’s renting from a big day out dancing at the legendary Notting Hill Carnival. “Sorry, I’ve had a few Aperol spritzes,” she says with a grin.

While both musicians are pop chameleons, their most recent records are also a study in contrasts. Hughes’s Girl With No Face, released in February, is a dazzling, theatrical slice of ’80s synth-pop perfection, produced in its entirety by Hughes. Released in March, Rodriguez’s For Your Consideration, on the other hand, expanded on the woozy, Latin-inflected dance-pop of her previous releases I’m Your Empress Of and Save Me to become her most self-assured album yet. So it came as something of a surprise that the two had teamed up for a rework of Hughes’s album standout “Galina,” a wonderfully wonky ode to an older female mentor who mysteriously disappears from Hughes’s life. (It turns out the more literal inspiration was an old Russian woman who worked at a skin clinic and created a bespoke lotion that cured Hughes’s eczema: after she retired, Hughes was unable to track her down to acquire the recipe. “Basically, Allie called me and was like, ‘I have this song about eczema, and I feel like you need to be on it,’” jokes Rodriguez. “And I was like, ‘Okay. Period. Let’s go.’”)

The Tony Nominations Are Out! Here’s How Some of Broadway’s Biggest Stars Reacted—From the First-Timers to the Theater Veterans

If you are sensing a frisson of excitement in the Manhattan area today, that may well be because the 2024 Tony nominees were announced this morning. (Installed at Sofitel New York on West 44th Street, Renée Elise Goldsberry and Jesse Tyler Ferguson made a deeply charming double-act as they read off the categories.) In a season filled with several thrilling debuts—as well as vaunted revivals, reunions, and other happy returns—the list of nominated actors, directors, playwrights, composers, and other theater-makers this year was filled with all manner of exciting names, from rising stars to Broadway veterans.

Of the former category: Jocelyn Bioh, who made her Broadway playwriting debut with Jaja’s African Hair Braiding last fall, was thrilled at her show’s five nominations (for best new play, best scenic design of a play, best costume design of a play, best sound design of a play, and best direction of a play). “This is a dream bigger than any I could have imagined sitting in the chair of a Harlem hair braiding shop as a kid,” Bioh said. “That little girl never thought a day like today was possible, but it is one I will never, ever forget.”

Television writer Bekah Brunstetter, who penned the book for Michael Greif and Schele Williams’s inventive musical adaptation of The Notebook, also received a nod for her debut Broadway production. “I’m back home in LA, so I was jolted awake early this morning by the BEST KIND OF EARTHQUAKE,” she enthused in an email. “Working with Ingrid [Michaelson, who wrote the music] on The Notebook has been such a true collaboration in every sense of the word; we built this together over the years, so I see this nomination as something the whole creative team gets to celebrate together as a family. I’m so grateful to be included in this bananas season of talent.”

Kristoffer Diaz, a finalist for the Pulitzer Prize for drama in 2010, made his own Broadway debut this month with Alicia Keys’s Hell’s Kitchen. Reacting to his nomination, one of that show’s 13, he said, “In the mid-’90s I saw three shows that changed my life: Rent, Crazy for You, and John Leguizamo’s Spic-O-Rama. Somewhere in there I made up my mind that this was what I was going to do with my life. Broadway was always the goal. The Tonys were always the goal. And today, I get to celebrate my show that was directed by Michael Greif (Rent) in the Shubert Theater (Crazy for You), and John Leguizamo was the first person to text me congrats. It means the world to be recognized for this show alongside this company… and the best collaborator I’ve ever worked with (Alicia Keys!) and hopefully make New York City proud.”

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I Wanted a Child for Years, and Then, Once I Was Pregnant, I Didn’t

There is no one untouched by crises of mental health. And yet, when you or someone you love is going through it, it can often feel like you’re alone in the dark, searching for a light. In honor of World Mental Health Day, we are publishing a series of essays, starting today and running through the weekend, that tackle this topic through a personal lens. We hope these essays offer a little insight into the many ways that people struggle, and how they can come out the other side with dignity and grace.

When I was six weeks pregnant, I went hiking with a friend. Halfway up the mountain, I paused to catch my breath. I knew what I needed to say but I found myself struggling to say it. There was a heavy knot of dread in my stomach.

“I have some news,” I told her. “I’m pregnant.”

My friend was ecstatic. She started jumping up and down and shrieking with joy. I forced myself to smile but when she grabbed me for a hug, my face drooped. It felt like my lips weighed 50 pounds. I couldn’t even really remember how to smile properly. I held on to the hug for too long so she wouldn’t see my face and ask me what was wrong.

Because, what was wrong? I was married, had a career I loved, was healthy, and now was going to be a mother. I should have been thrilled to be pregnant; I had wanted to have a child for years. Why did I feel so awful?

Prenatal depression hit me fast. One night I went to bed, excited to have a baby. The next morning, I woke up and I didn’t want a child anymore. A dark cloud of dread hung over me. It felt like I had just gotten terrible news.

That first week, I canceled plans and spent afternoons curled up on the couch. Then, I stopped answering emails and checking my phone. I told myself I was just tired, or just nauseous. One day I was driving home on the freeway and my eyes kept flickering to the concrete median in the middle of the road. Would it be so bad, I thought, if I just drove into it? At least I wouldn’t have to feel this way anymore. In that moment, the idea of never waking up again sounded like a relief.

Andiamo! Emily in Paris Season 5 Will Soon Go Into Production

However, it was then reported that the fifth season had not actually been greenlit, with the auction website being updated to say that the winning bidder would “have the opportunity to spend a day on set in Paris during filming, contingent upon season five pick-up.” Now that we’ve finally had the official confirmation, fans can breathe a sigh of relief.

A Reminder That Joni Mitchell’s Blue is the Ultimate Summer Travel Album