special culture

Archives May 2023

“Polished Facade, Twisted Soul: Hugh Grant’s Heretical Transformation”

La película más reciente de Grant, Heretic, lleva la afición del actor por lo extraño o poco convencional a nuevos reinos de horror. La estilizada pieza de cámara se sitúa en un suburbio del oeste montañoso, donde el encantador y anodino Sr. Reed de Grant (no se da el nombre de pila) ha convocado a un par de jóvenes misioneras mormonas, la Hermana Barnes (Sophie Thatcher) y la Hermana Paxton (Chloe East), a su modesto umbral para escuchar su discurso de conversión. Aunque al principio son cautelosas ante la invitación de entrar, las hermanas son aseguradas por Reed de que su esposa hará pronto una aparición con tarta de arándanos recién horneada. Sin embargo, las maneras nerd de Reed y su efusividad con ojos desorbitados poco a poco se transforman en preguntas inquietantes sobre la fe que perturban a la más experimentada Hermana Barnes. Para entonces, no obstante, las dos mujeres ya están atrapadas en su laberinto doméstico de trampas intelectuales, espirituales y físicas.

Unseen Perspectives: Lynsey Addario’s Intimate Glimpse into the Hidden Facets of War

La vida de un fotógrafo de guerra puede sonar como el elegante periplo global de ensueños de oficina, pero como señala la célebre fotoperiodista de conflictos Lynsey Addario en su memoria de 2015, It’s What I Do, la realidad del oficio es a menudo menos ostentosa y más emocional de lo que parece. “Veo imágenes en periódicos, revistas, en internet—campos de refugiados en Darfur, mujeres en la República Democrática del Congo, veteranos heridos—y mi corazón salta”, escribe sobre perseguir el trabajo que regularmente la separa de su familia y a menudo la pone directamente en peligro. “De repente me invade esta tranquila angustia—una inquietud que significa que sé que iré.”

Ahora, la primera exhibición individual de Addario, “Raw”, curada por Danny Moynihan, está en exhibición en la galería Lyles & King en la ciudad de Nueva York, donde se mantendrá hasta el 9 de noviembre. Vogue conversó con Addario sobre dar el salto del fotoperiodismo al arte; la importancia de capturar los aspectos más sutiles y menos violentos de la guerra; y sus consejos para otras mujeres en campos similares. La conversación ha sido editada y condensada.

Vogue: ¿Cómo se siente ver tanto de tu trabajo en un solo lugar?

Lynsey Addario: Quiero decir, es una colección pequeña en comparación con 25 años de fotografía de guerra, pero es realmente interesante ver la curaduría y estas imágenes de guerra y problemas climáticos enmarcadas y en las paredes de una hermosa galería en Nueva York.

Foto: Cortesía de Lynsey Addario

¿Cómo fue trabajar con el curador Danny Moynihan?

Fue increíble. Danny es en realidad el primo del padre de mi esposo, así que conozco a Danny desde hace años, pero también siempre ha sido un gran defensor de mi trabajo y obviamente está muy establecido en el mundo del arte como un artista y escritor increíble. Fue un gran proceso; fue muy colaborativo. Comencé entregándole décadas de mi archivo—algunas de mis imágenes favoritas que se han vendido en el pasado, pero también aquellas que han resonado conmigo a lo largo del tiempo. Y luego simplemente le permití hacer su curaduría porque pensé que sería interesante ver cómo alguien que no está en el mundo del periodismo curaría este cuerpo de trabajo para un espacio de bellas artes. Una de las cosas que siempre trato de hacer con mi trabajo es lograr que personas que normalmente no prestarían atención a los conflictos o crisis humanitarias se detengan y vean una foto, hagan preguntas e interactúen con el tema. Así que cruzar esa frontera del periodismo al arte es un proceso realmente emocionante porque es un público completamente diferente.

En este momento de aparentemente incesante conflicto global, ¿hay algo que desearías que los espectadores de las noticias—y de tu trabajo—entendieran mejor o de manera diferente?

Why Autumn Outshines Spring for Life Organization

Once the temperatures plummeted and the foliage began shifting hues, an odd sensation took hold of me. I acquired a brand-new bed—it was as if my previous one was suddenly revolting and antiquated. I donated a substantial portion of my wardrobe—over a third remains a puzzle as to my former belief that all that coordinated linen rendered me “sophisticated” and not akin to Nigel Thornberry. I hastily arranged a hair stylist visit—I don’t recall enlisting their aid to invoke Rod Stewart’s aura previously, but such must have transpired somehow. It felt as though, with autumn’s onset, emerged the impulse to rejuvenate my existence completely. Enter something I solemnly endorse: the grand autumn revamp.

Traditionally, spring is the time designated for overhauling our lives, which, on paper, is logical. It symbolizes fresh starts and warmth, and you cease feeling like a semi-frozen, lumbering medieval crone each transition from one room to another. Yet, I’ve persistently realized that, practically, fall stands superior for reinventing one’s whole life. During this period, your wardrobe transforms utterly. The declining temperatures permit actual thought (in the blazing summer, “getting out of bed” suffices to urge an Aperol Spritz and a solitary cigarette). Additionally, it’s likely because many of us still associate autumn with beginning a new school term. Vaguely recalling school days, I nonetheless inexplicably face the compulsion to purchase new stationery every September. Thus, it has been advantageous to channel that distinct energy as an adult.

Additionally, autumn seems the most pragmatic for a comprehensive life reset because come winter, ventures are few. The period is lengthy and wintry, spent lounging on your laptop till the afternoon, indulging in Oreos while leisurely half-viewing The Holiday on your mother’s sofa and browsing Instagram. It’s not conducive for a complete transformation. Naturally, there are New Year’s pledges, and I do relish the tidy symmetry of commencing anew on New Year’s Day, but making significant life adjustments during deep winter’s bleakness, when unveiling the curtains resembles a Silent Hill teaser, is daunting. Indeed, all indicators suggest autumn is the prime moment for hitting the reset button.

To clarify, when mentioning “grand autumn revamp,” I don’t imply obsessive brooding over physical or mental enhancements that often just diminish our self-worth (although I’m endeavoring to care less about others’ opinions, and aspire to acquire notably strong arms). It’s more about practical and lifestyle-related shifts. Procuring a quality winter coat. Conducting a comprehensive fridge cleanout. Assembling and donating unneeded books to charity. Through experience, I’ve discerned that decluttering your life generally initiates a chain reaction on a mental and physical level. You’ll find no necessity to pledge vague assurances of “becoming more optimistic” or “prioritizing rest” when a comfortable new mattress already conveys that notion.

Ultimately, you’re under no obligation to perform any significant reset at any time of year if you’re disinclined (understandably). Amid constant bombardment with directives promising to enhance our selves à la The Substance, occasionally lounging with a substantial bowl of pasta while viewing YouTube—our desired plan—brings relief. But if you’re mulling over a bedroom remodel, exploring a novel hairdo, aspiring to embody a trench coat and leather gloves-wearer, or at last tackling that peculiar “everything” nook in the kitchen, delay not until spring. Give it a shot now—you won’t lament it.

Top 15 Must-Hear Movie Soundtracks for Your Playlist

Greta Gerwig’s Barbie boasted numerous appealing aspects: a star-studded ensemble, striking sets and wardrobe, and a whimsically chaotic storyline. Coupled with a curated soundtrack managed by Mark Ronson, it’s unsurprising the movie turned into such a hit. Standouts from Barbie: The Album? Dua Lipa’s “Dance the Night,” Nicki Minaj and Ice Spice’s rendition of Aqua’s “Barbie Girl,” and Billie Eilish’s Oscar-awarded ballad “What Was I Made For?.”

A-Starry Evening: Anna Wintour and Bee Carrozzini Host Glamorous Annual Tonys Dinner
The Rise of Stefani: Unveiling Gaga’s Early Iconic Performances

Lady Gaga is globally renowned as a pop sensation and performer, an Academy Award recipient, and a cover icon for Vogue, yet she possesses an extensive understanding of humble origins. Growing up in the vibrant city of New York, the 38-year-old celebrity has been captivating audiences both on stage and in films since her adolescence. Not every one of her initial acting parts and music concerts were particularly glamorous, but now that she’s triumphed in both Hollywood and the music realm, they’re a joy to look back on.

Below, explore our compilation of Lady Gaga’s finest early and pre-Gaga-name appearances:

Year unrecorded: Participated in an anti-harassment video

Throughout her journey, Gaga has consistently voiced opposition to sexism, misogyny, and rape culture, but this easily-missed role in a classic anti-harassment educational clip often shown to secondary school pupils about consent illustrates her principles truly extend far back. (To catch a glimpse of young Gaga resisting the inappropriate advances of an unsettling individual, navigate to 0:40.)

2001: Minor character in a Season 3 episode of The Sopranos

Escape Holiday Overload: Discover 25 Captivating Winter Films

But behold, you exclaim, I’ve already donned my cozy trousers, my oversized sweater, and my utterly charming at-home footwear, and I truly have no intention of venturing outdoors for any form of entertainment, even if it is Oscar-worthy. That’s perfectly fine! The bright side is, there’s a delightful balance between making a grand gesture of going to the theater and settling in for syrupy, sweetness-overload holiday content! You can view something that’s wintry and enjoyable yet entirely unrelated to Saint Nick, Hanukkah treats, poinsettias, or gifts. And you’re not being a Grinch at all! There are cold-season films out there that are simply excellent films, irrespective of the fact that they might take place during Hallmark’s favored time of year. So set aside the vibrant frosting, move away from the cookie tray, and direct your attention here. (Think of it as a taste-resetting experience.) Without further preamble, here’s a list of 27 top-notch winter films that have nothing to do with festive holidays. You’re welcome!

Unveiling the Secrets of The Empress: Season 2 Insights

The group working behind the curtain is (mostly) back: showrunner Katharina Eyssen receives backing from executive producer Robert Eyssen. Production duties are again in the hands of Sommerhaus Serien GmbH, with producers Jochen Laube and Fabian Maubach. Scarlett Lacey makes a return as executive producer. This time around, Barbara Ott and Maximilian Erlenwein take on the roles of directors.

Facing New Challenges: World AIDS Day’s Continued Urgency

World AIDS Day comes annually on the 1st of December, yet it remains one of the more perplexing—and I must add, often feared—occasions in the AIDS community. Those who advocate are frequently obligated to decide between grieving the absence of dear ones or utilizing the day, acknowledged globally, to spotlight the ongoing challenges that still prevent us from realizing a generation free of AIDS. With an approaching administration that made promises to “transform” our healthcare, taking advice from one of the most prominent voices in the anti-science and denialist movement, our inclination to resist has never been more apparent or critical. If the initial AIDS activism and our ACT UP veterans imparted any lesson to us, it is in the way to collectively and passionately fight for one another and persist during moments of hopelessness.

Occasionally, I am inquired on how my journey in AIDS activism began. Although pinpointing the exact moment is challenging, I will forever recall the location—Room 207 at the Lesbian, Gay, Bisexual & Transgender Community Center during an ACT UP (AIDS Coalition to Unleash Power) assembly in New York City. Immediately, I felt I belonged. There’s plenty of romanticized documentation and portrayals of ACT UP in the media, yet I always encounter astonishment when individuals realize that ACT UP is still active and perseveres in crucial work across its chapters.

When I became part of ACT UP NY, we were several years into the FDA’s sanctioning of oral PrEP (pre-exposure prophylaxis). Although there was a drug available that, when consumed daily, can efficiently prevent HIV infection, its pharmaceutical producer, Gilead Sciences, was inflating the price by 66%, potentially imposing a cost of up to $24,000 annually on users. This revelation of price exploitation became even more unsettling when it was unearthed that the funding for the trials originated from US taxpayers’ contributions.

Almost a decade has passed, and now multiple generic versions of oral PrEP exist in the market—but fairness still eludes us. As per the US CDC and cited in PrEP in Black America’s For Us By Us document, 91% of Black Americans who could gain from PrEP have never obtained a prescription. This is particularly significant as we contemplate the recent (and thrilling) findings from the PURPOSE 1 and 2 trials for lenacapavir, a semiannual injectable PrEP that showed remarkable efficacy among cisgender women (PURPOSE 1) and gay men, transgender, and nonbinary individuals (PURPOSE 2) in disaster prevention (it’s currently sanctioned as a therapy for the illness, not an equal preventative option to the daily oral medication). Although the cost remains uncertain, it’s known that the price of lenacapavir as therapy is currently an astounding $42,250 for the first year, despite the potential for substantial profitability at merely $40 annually. It is also known that the producer of lenacapavir, once again Gilead Sciences (noticing a pattern here?), declared plans to authorize generic forms of the drug in 120 countries—excluding nations like Argentina, Brazil, Mexico, and Peru—all of which significantly contributed to the trial’s success through participation.

“Stephanie Mills Triumphantly Takes the Broadway Stage: A Revitalized Journey in Hadestown”

Cinq ans (et huit Tony Awards) après ses débuts à Broadway, Hadestown, la captivante adaptation musicale d’Anaïs Mitchell de la légende d’Orphée et Eurydice, n’a jamais sonné aussi bien. Cela est dû non seulement à Jordan Fisher (Hamilton, Dear Evan Hansen, Sweeney Todd) et Maia Reficco (la série Pretty Little Liars: Summer School de Max), qui incarnent les jeunes amoureux mythologiques aux destins inévitablement malheureux, mais aussi aux talents remarquables de Stephanie Mills, qui a rejoint le casting cet été en tant que Hermès.

Dans un rôle initialement créé par André De Shields—le Magicien pour sa Dorothy dans la production originale de Broadway de The Wiz, le spectacle qui a lancé sa carrière—Mills illumine le Walter Kerr Theatre comme une fusée incendiaire, en dotant le narrateur de facto de l’histoire d’une empathie maternelle émouvante et de la chaleureuse sonorité soul que les amateurs de son travail en tant qu’artiste d’enregistrement connaissent si bien.